Amstel Surfilm Festibal: ‘Last Hope’ Stokes ‘Litmus’ Fire 0
Amstel Surfilm Festibal 7
Last Hope stokes Litmus fire at Amstel Surfilm Festibal
Last Hope: Andrew Kidman with Albert Falzon, Jon Frank, Monty Webber, Richard Kenvin, Patrick Trefz and others. Australia-USA, 2009, 80 min.
Sometimes it seems like all surf films fit into finite categories: documentary, travelogue, surfporn, soul surf extravaganza, powersurfing. They’ve come a long way from their origins in the 50s when people started telling stories about goin’ surfing with the help of a camera. One of the milestones in this evolution was “Litmus” in 1995 (Andrew Kidman & Jon Frank).
In “Litmus” we enjoyed seeing surfing on a wide array of boards, in inhospitable places and far from the surfing mainstream. The tone was intimate and the images were testosterone-free, more impressionist than actual surfporn. Anyway, many of us embraced this new take on the art of surfing. However most surfers, and most especially the surf industry establishment, were left cold. Unquestionably “Litmus” was an innovation that inspired many films in the same style, some with more success than others.
Almost 15 years later Andrew Kidman has done it again, this time with the complicity of fellow artists on the same wavelength. Just like “Litmus”, “Last Hope” will need some time to penetrate the thick skin of mainstream surfing- its effects will be felt in the long term. If you’re expecting to find the greatest professional free riders or the finest water shots with the best HD cameras available today, or a never-ending sequence of perfect waves ridden by a bunch of friends on their alaias then you’ll be disappointed.
But what you will find are moments of real surfing, the kind pretty much any of us get to experience: unknown surfers at Windansea; the surrealist vision of Montty Webber and his unrideable waves; Richard Kenvin paying tribute to his Windansea parking lot and flying on his mini-simmons; Patrick Trefz making an impossible surfing short film and being artistic albeit unintentionally.
One of the things that all the pieces share is that the camera is action-shy and focuses –instead- on everything else, on all the circumstantial aspects of surf riding. Like when you look into the sun when paddling back on a beautiful, windless, golden afternoon; or when you admire the beauty of some birds flying over a wave from the top of a cliff. Last Hope manages to explain a dimension in surfing that, so far, had eluded stills and words.
So… does this mean that our “Last Hope” consists in looking the other way? In forgetting the “academic” vision of surfing and simply enjoying the magic experience of riding some waves with some friends? We don’t know; we just hope that this film is not Andrew Kidman’s “Last Hope”, and that he’s going to keep innovating surf film making for a few more years to come.
World Premiere: Thursday 11 June, 20:30h Teatro Principal, Donostia – San Sebastián
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